Preview Entry 5 - Carlo Bonte (Asian Arts Part II 10-28-2015)
A Chinese celadon vase, decorated with symbols, marked Kangxi
Lot 451
6 Characters (大清康熙年製) mark
Estimated: €400 - €600
Realized Price: $7,000
Hey Hey Hey, Connoisseur Bear is here! Sorry guys I have dragged into the study of
anthropology and the readings and paper amount is hellish!!!
This week we will talk about a Kangxi jun 尊 vase.
For this vase, I am quite positive about this
vase. Reasons below:
1.
Shape matters
For this vase, it resembles the shape of jun 尊 vase during Kangxi period, usually besides finding example pieces from museum
catalogues and exhibition, we also read different materials related to Chinese
antiques. In one of our Chinese
porcelain text book written by Geng Bao Chang, 耿寶昌, he
mentioned about the shape of a “jun” vase during Kangxi period, which kind
resemble the vase we featured this week.
As we know that, the pieces from imperial kiln are strictly restricted
in style, so the form of a vase should not be in a huge variety.
Abstrict from "Ming and Qing porcelain on inspection", 明清瓷器鑒定, page 17
2.
Motif matters
For the motifs on the vase, we usually call
them as animal mask, 獸面.
This type of motifs is popular for archaistic bronze wares during Shang
dynasty 商朝(c. 1600 BC–c. 1046 BC), and suddenly it
is “revived” in Kangxi period. This kind
of motifs is unique in Kangxi reign as it is hard to find animal mask motifs in
later reigns.
'Fangyi' Covered Ritual Wine Vessel with 'Taotie' Decor, collection of Harvard Art Museums
3.
Mark matters
We always talk about the mark, that because
it represents the written style of certain dynasties and periods. We have talked about the written style of Yongzheng and Kangxi period in previous entry, which is related to the composition of the Chinese
texts. You guys can refer to it. The mark of this vase can be resembled to the
mark during Kangxi period.
4.
Foot rim matters
Another thing that we always talk about is:
foot rim, this is the thing that “gives out” the quality of a ceramic, as it reveals the body of a porcelain
piece. For celadon pieces during Qing
dynasty, we call this type of glaze as 東青釉 (eastern green), which
is extremely similar to the celadon glaze in later reigns, 冬青釉 (winter green). For the
pieces that in eastern green or winter green during Qing dynasty, we can see
many “rings” in the foot rim, which very similar to the piece we featured this
week. However, one thing to remind you
guys is that, if we see this kind of rim in blue and white pieces, it is problematic
and usually it is a red flag.
The ring (not the spooky one)
Conclusion:
Analyzing a Chinese antique is hard, it
required years of experience and devotion of learning via reading different
books that are academic and reliable. I
hope that I can serve as a bridge for you all to admire the beauty of Chinese
ceramics.
Wow!
BESIDES, WE JUST GOT ONE LIKE IN
FACEBOOK, SHOUTOUT TO OUR HERO, MICHAEL SHANG!
OUR BEARS ALMOST SHUT THE BLOG AND SCRATCH THEIR TUMMIES BUT NOW WE WILL
CONTINUE OUR EFFORTS
celebrate good times come on
Lot 451
6 Characters (大清康熙年製) mark
Estimated: €400 - €600
Realized Price: $7,000
Hey Hey Hey, Connoisseur Bear is here! Sorry guys I have dragged into the study of
anthropology and the readings and paper amount is hellish!!!
This week we will talk about a Kangxi jun 尊 vase.
For this vase, I am quite positive about this
vase. Reasons below:
1.
Shape matters
For this vase, it resembles the shape of jun 尊 vase during Kangxi period, usually besides finding example pieces from museum
catalogues and exhibition, we also read different materials related to Chinese
antiques. In one of our Chinese
porcelain text book written by Geng Bao Chang, 耿寶昌, he
mentioned about the shape of a “jun” vase during Kangxi period, which kind
resemble the vase we featured this week.
As we know that, the pieces from imperial kiln are strictly restricted
in style, so the form of a vase should not be in a huge variety.
Abstrict from "Ming and Qing porcelain on inspection", 明清瓷器鑒定, page 17 |
2.
Motif matters
For the motifs on the vase, we usually call
them as animal mask, 獸面.
This type of motifs is popular for archaistic bronze wares during Shang
dynasty 商朝(c. 1600 BC–c. 1046 BC), and suddenly it
is “revived” in Kangxi period. This kind
of motifs is unique in Kangxi reign as it is hard to find animal mask motifs in
later reigns.
'Fangyi' Covered Ritual Wine Vessel with 'Taotie' Decor, collection of Harvard Art Museums
3.
Mark matters
We always talk about the mark, that because
it represents the written style of certain dynasties and periods. We have talked about the written style of Yongzheng and Kangxi period in previous entry, which is related to the composition of the Chinese
texts. You guys can refer to it. The mark of this vase can be resembled to the
mark during Kangxi period.
4.
Foot rim matters
Another thing that we always talk about is:
foot rim, this is the thing that “gives out” the quality of a ceramic, as it reveals the body of a porcelain
piece. For celadon pieces during Qing
dynasty, we call this type of glaze as 東青釉 (eastern green), which
is extremely similar to the celadon glaze in later reigns, 冬青釉 (winter green). For the
pieces that in eastern green or winter green during Qing dynasty, we can see
many “rings” in the foot rim, which very similar to the piece we featured this
week. However, one thing to remind you
guys is that, if we see this kind of rim in blue and white pieces, it is problematic
and usually it is a red flag.
The ring (not the spooky one)
Conclusion:
Analyzing a Chinese antique is hard, it
required years of experience and devotion of learning via reading different
books that are academic and reliable. I
hope that I can serve as a bridge for you all to admire the beauty of Chinese
ceramics.
Wow!
BESIDES, WE JUST GOT ONE LIKE IN
FACEBOOK, SHOUTOUT TO OUR HERO, MICHAEL SHANG!
OUR BEARS ALMOST SHUT THE BLOG AND SCRATCH THEIR TUMMIES BUT NOW WE WILL
CONTINUE OUR EFFORTS
celebrate good times come on